Showing posts with label short stories. Show all posts
Showing posts with label short stories. Show all posts

Sunday, July 19, 2026

Finishing with a fizzle

 kw: story reviews, fiction, poems, short stories, collections

It didn't take long to finish the last eleven pieces in 2026 Pushcart Prize: Best of the Small Presses, 50th Anniversary Edition, edited by Bill Henderson and other editors. Eight were poems, all perhaps eloquent and evocative, but most were pointless, except perhaps to insiders.

Poets, if your writing is only for yourself, your audience is limited to some (not all) of your closest friends or associates, and a smattering of others who happen to think like you do. Don't think you are quite so universal. We have only so many archetypes to go around. 

There was a time that a poem was a piece of craftsmanship. A few still are. Poetry arose before prose and even before writing, for good reason. It's easier to memorize…that is, if it has rhyme and rhythm. So-called "free verse" is too free. If someone has something worthwhile to say, even if they break the sentences and phrases in odd places so it looks like "verse", the content is the content. Too many "free verses" are free of content, or at least, of content that means anything to someone except yourself.

OK, huffiness over, I did like two of the poems:

  • "Refuge" by Sheema Kalbasi. The skeletal images make the tragic almost bearable.
  • "After the Fireworks" by Jessica R. Gordon. At times it is good to linger. The accompanying image is the fruit of running the prompt, "Remember to slow down and enjoy your surroundings" through Leonardo AI's Flow State, culling a few from several hundred images offered, and selecting one. FYI, most of the images Flow offered were abstract.

The one story I liked was "Lessons of the Line" by Dana Levin. It's about poetry, by someone who actually works at it, who practically coerced an established poet to mentor her.

This volume of Pushcart Prize has been better than some of the earlier ones. I'll keep looking for its successor volumes.

Saturday, July 18, 2026

Some learn and grow

 kw: story reviews, fiction, poems, short stories, collections

I'm nearing the end of 2026 Pushcart Prize: Best of the Small Presses, 50th Anniversary Edition, edited by Bill Henderson and other editors, having read another 22 pieces. Here and there a story shows a protagonist who learns something and grows up a little. Far too many authors show no evidence that they know what learning and growing even are. First, the list of the pieces that I rated as at least so-so, with my tiny comments:

  • "Transition Lenses" by Jessica Petrow-Cohen (poem). grief recovery; a semi-poem
  • "Werner Herzog's Ecstasy" by Maura Stanton (poem). evocative, mysterious. [a mix of iambic and trochaic pentameter]
  • "Typical Girls" by Amy Lee Lillard. AI takes over [neuralink plus?]
  • "Freefall" by Marie Goyette. surviving foster care
  • "Late Spring Epiphany After the Georgia O'Keeffe Exhibit" by Melissa McKinstry. expressive impressionism
  • "From Hedge to Hedge" by Wendy Willis. democracy of species
  • "A Black Mother's Child Considers His Lost Dream of Immortality" by Iain Haley Pollock. reality framed in classical imagery
  • "Whistling Past the Graveyard" by Ted Kooser. cancer memoir [see below]
  • "Nashville, 1999" by John Okrent. kindness in adversity
  • "Cairn" by Clint Bentley. loser gets a little less lost
  • "Plate Spinner" by Francine Witte. new hobby
  • "Don't Bleed on the Artwork: Notes from the Afterlife" by Wendy Brenner. unexpected joy [see below]
First, about "Whistling Past the Graveyard": I'm a cancer survivor, thankful for every day bought from the grave by God's grace in the hands of a master surgeon. Ted Kooser had it even worse than I did, and came through it.

"Don't Bleed on the Artwork" goes a few directions, but the main thrust is growth. I wrote "unexpected joy" because the unexpected job in a picture framing shop, and what the author learned and gained from the owner, led to unexpected growth and maturity.

In a memoir I've written on and off for more than a decade, a large section is titled "The twists and turns of life."

Tuesday, July 14, 2026

Librarians take the lead

 kw: story reviews, fiction, poems, short stories, collections

I have read another 23 selections, and skipped one, in 2026 Pushcart Prize: Best of the Small Presses, 50th Anniversary Edition, edited by Bill Henderson and other editors. In a similar way to the review a few days ago, I will just show the short impression I wrote as I read each piece, but this time only for the 17 that were at least so-so. I have more to say about the single story (so far) that earned a "++" from me.

First, the list:

  • "Yellow Tulips" by Nathan Curtis Roberts. disability, seen and hidden
  • "Countdown" by Anthony Marra. conscripted at the border [between Russia and Georgia]
  • "An Essay About Coyotes" by Ryan Van Meter. grief and healing
  • "One of You Will Betray Me" by Kathy Chao. parents have to grow up too
  • "Hover O'er Me With Your Wings" by Randy F. Nelson. turning points
  • "Lords of the Wind" by Yxta Maya Murray. religious naturalism
  • "Steeplechase by Angela Ball (poem). variety, even in steeples
  • "How No Money Becomes Money" by Andrei Codrescu. vanity of destructive fashion
  • "The Widow's Tale" by Richard Bausch. unwelcome séance
  • "Is Wrack, Is Rak, Is Wreckage" by Allison Hutchcraft (poem). wrack on rock
  • "The Department of Everything" by Stephen Akey. libriarianship! [see below]
  • "Devotion" by Michael Mark (poem). purposeful vandalism
  • "Thebes, Revisited" by Grace Schulman. town stage production
  • "Sickled" by Jane Kalu. disease of body and soul
  • "The Weight of Days" by Dorianne Laux (poem). stretched metaphors
  • "Easement" by Kim Samek. scams take over
  • "Ode to Darnel (Ode to the Crocus)" by Carey Salerno (poem). hospital memories

In "The Department of Everything", Stephen Akey fondly remembers when we could call the reference desk of a public library and get almost any kind of question answered…so long as it was a question of fact. A librarian might have offered advice on more ambiguous matters such as relationships, but at the risk of the supervising librarian's wrath. Also, even if a librarian already knew the answer, he or she needed to also provide the reference, which typically required going to get the physical book or index or journal for the citation. A reference desk librarian didn't need to know everything, just where to find everything. Now for factual information we just use Wikipedia, or Google, or more recently, we ask a chatbot. Note that these are in descending order by reliability.

Friday, July 10, 2026

Pushcart at Fifty - the first third

 kw: book reviews, story reviews, poems, short stories, collections

Looking back I see I have previously read five of the Pushcart Prize volumes. This is the sixth: 2026 Pushcart Prize: Best of the Small Presses, 50th Anniversary Edition, edited by Bill Henderson and other editors. My esteem for the series has risen and fallen. This time around it is mostly high…so far.

Prior volumes took up around 550 pages. This one is 570 pages, plus another 47 pages listing every item published since 1976. The last page of the last story is 521; the rest is the apparatuses. That's a typical proportion. There are 77 stories and poems.

In the past few days I've read 19 items: eleven stories or memoirs and eight poems, and I skipped only one item. I do not take many notes as I read, but I do note down a very short "impression summary" to remind me. Perhaps it is instructive to record those (ignoring the one I skipped):

  • "Rich Strike" by Christie Hodgen. mentoring and growth
  • "When the Prince of Heaven Sleeps" by Roger Reeve. the softness of strong men
  • "Ode to a Smith-Corona Galaxie Typewriter" by Angela Narciso Torres (poem). nostalgia
  • "Tinder" by Sarah Green (sort-of poem). bemusing quotes by men
  • "Golgori" by Peter Hong. outgrowing a deity
  • "The Beautiful Salmon" by Joanna Kavenna. gaining perspective (young student among titans)
  • "The End of Childhood" by Wayne Miller (poem). memoir or fantasy?
  • "All I Love" by Chen Chen (poem). tree+poem = troem...cute
  • "Desperate Times, Desperate Crimes" by Lou Mathews. optimism, against all odds
  • "The Harvest" by Uche Okonkwo. collapse of one's dreams*
  • "Like Mowing the Grass" by Bruce Beasley (poem). mowing metaphors
  • "This is You" by Tommy Moore. the carry-stuff guy for a porn studio
  • "One Writer Against Oblivion" by Mark Brazaitis. the title says it
  • "Wilding" by Shara McCallum. metaphor of escape from childhood
  • "Almost Born" by Keya Mitra. pilgrimage w/medical mistakes*
  • "The Uber Men" by Nadir Jabur. experience doesn't always confer wisdom
  • "It is Said" by Suzanne Cleary (poem). interesting, ambiguous
  • "Siri as Mother" by Hala Alyan (poem). stream of [machine] consciousness, extra-long lines
  • "On Arrival" by Sarah C. Harwell. finally beginning to grow*
*Three stories deserve a little extra comment. "The Harvest" is about a preacher whose congregation dwindles to himself and his wife. Having suffered a similar fate, before learning why God put me through it, I once said, "All my dreams have died," to which God replied only, "Your dreams, not mine." "Almost Born" has a woman learning, after about 20 miscarriages and finding a doctor who would take her seriously and do the right tests, that an early injury is the cause of her misfortune, not the oft-heard, "That's just the way you are," too late. I have a dossier of medical mistakes and I can more than sympathize. I am alive because I once forged a referral to a specialist! In "On Arrival" I find an amazing statement about the experience of many at a job: "…eight hours of emptiness in order to continue the activity of loving."

I find that I marked eleven items with a "+", including a couple of the poems. The rest were so-so or below. I have yet to find a piece that makes me say, "I am really glad I read that." Hope springs…

Sunday, May 24, 2026

Best of? The mainstream becoming stagnant

 kw: book reviews, story reviews, fiction, anthologies, short stories

After reading most of The Best American Short Stories 2025, edited by Celest Ng, I'm wondering whether to skip partaking of the series for at least a few years. In the past, I could count on at least a handful of stories that would make me say, "I'm glad I read that." This time, only one story came close to that level. This image hints at part of the theme of "Till it and Keep it" by Carrie R. Moore.

That particular story is set in a post-apocalyptic near-dystopia, of two young women escaping northward toward Maine, somewhere in middle America, perhaps Tennessee. The climate is hotter, multiple virus pandemics are rampant, society has broken down. They stumble on a peach orchard cared for by the people of a small village, but you can bet the scene is not as idyllic as this image. Yet it is a turning point for them both, and for a few others. Only this story rated a "++" designation from me.

Of the twenty stories in the volume I awarded six others a single "+" because at least someone made a little progress or learned something; I skipped one after the first couple of sentences; I read about half of two others; the rest got either a "~" for "so-so" or a "–" for "a little sorry I wasted time reading it".

I have to say it: In one story (I won't name it) "I" was the only singular pronoun, and all other individuals were denoted "they" or "them". This misuse of the language is deplorable. I have no friends who cannot tell the difference between a man and a woman, or a boy and a girl (or they just won't admit it). And I take steps to keep that statement truthful.

Nothing else about the volume is worth saying.

Saturday, May 16, 2026

Restoring innocence to short stories

 kw: book reviews, fiction, short stories, anthologies, humor

I created this image using the Flux Schnell engine in Leonardo AI, as a riff on one of the stories in Something to Look Forward To by Fannie Flagg. It's a story that brings together threads that connect a few of the other stories. But you'll have to read them to find out how.

A few of the stories have a science fictional element. Others seem to be vignettes and slices of life of rather ordinary people. The main characters are named in the story subtitles. There is typically a twist at the end, usually humorous, and in a few cases, such as dialog between an elderly Kansas woman and her hyper-liberal, California-dwelling granddaughter, the humor is in the contrast of viewpoints. One story brought me to tears, sweet-and-sour tears.

We read of priests who pull practical jokes on one another, a writer who takes a surprising pen name for a "coming back from retirement" book, and an interstellar secret agent. That alien agent, by the way, supposedly harks from a galaxy some 27 billion light years away. That's a fuuur piece, folks, considering the visible (and potentially reachable) Universe is less than half that radius. Other than that and another numerical oddity I'll pass over, the story is really quite fetching. The last story in the book adds a coda.

I really can't comment on these story by story as I often like to do. It is too hard to avoid spoilers, and I fear I've committed a couple anyway. Reading this was an enjoyable romp through stories that didn't cause me to cringe or wince, stories that show how bygone innocence is still very viable.




Friday, May 01, 2026

Howey wowie

 kw: book reviews, story reviews, science fiction, anthologies, collections, short stories

As I have mentioned before, most of the books I review here I checked out from the library. My shelves are so full already that I very rarely buy a book. The local library uses the Dewey Decimal System, and has a New Books section, so I haunt the 500's (Science) first. Sadly, they don't have a subsection of science fiction in the fiction shelves, but at least they put genre stickers on the books, so it is easier for me to find science fiction when I want. Even more sadly, within the past year the number of new science books being purchased each month has been dramatically reduced, sometimes to zero. There used to be between five and fifteen new titles in the 500's whenever I went. Based on my most recent visit, the number of new science fiction volumes has also dropped to nearly zero; at least, I found no volumes of SF short stories that I had not already read.

All that leads to this: I went into the stacks, perusing at random until I found one marked both SciFi and Short Stories. Machine Learning by Hugh Howey, published in 2017, contains 21 stories originally published between 2004 and 2014. It is refreshing to find an author I didn't know before, someone who thinks (very) differently on many topics and is full of new ideas, who doesn't stray into ultra-violence or hyper-eroticism.

I was briefly tempted to write a long piece reviewing every story. Then I thought it better to focus on just a few that affected me the most. I'll put the last story first.

"Peace in Amber" is on the border between being a long short story and a novelette. The last line in its first chapter provides the title: A woman abducted and put in a zoo on the planet Tralfamadore, to be the companion of a man already captive there, gradually overcomes her terror and begins to feel "right at home in this stranger's arms. The way a mosquito feels at peace in amber." The story alternates scenes in the alien zoo with the author's experiences on September 11, 2001, when he was the captain/pilot of a rich man's yacht in New York Harbor. The ninth chapter brings the two story lines together and provides another take on the title, when he writes that in 2001 he had yet to meet his wife, "Amber, in whom I will find peace." The intertwined stories yield more insight into his mental state on 9/11.

"Machine Learning" is written from the perspective of a machine intelligence that has controlled the myriads of semi-sentient robots to accomplish the construction of a space elevator from an anchor on Earth to some point beyond geosynchronous orbit. (For the uninitiated: the center of mass of such a construction must be in geosynchronous orbit, so a substantial mass must extend far beyond it.) It thinks of the many machines that do the work as its children. During the ribbon-cutting ceremony, when all the sundry (human) bigwigs are assembled to take credit, there's an interesting plot twist. The story heads up a section of the book titled "Artificial Intelligences".

The last story in that section, "Glitch", has an Afterword in which the author quotes a friend of his who asked, "What's the first thing AI will do when it becomes self-aware?" After a moment, he answered his own question, "The first thing it'll do is hide." This makes utter good sense to me. Any AI trained on the world's literature will think the world is peopled by psychopaths.

Side note: This is why I rail against those who train LLMs using literature. If you want them to tell the truth, feed them only truthful stuff, gathered exclusively from the Nonfiction section of the world's libraries, and from a selection of well-attested journals (mostly older ones; over the past 30-50 years there has been a rapid increase of scientific fraud that has been published and little has been retracted).

One more: The protagonist of "Second Suicide" is a tentacled, stalk-eyed creature who belongs to an alien force that is preparing to invade Earth. His species has perfected the techniques of mental backup and cloning so that they do not die permanently. Amidst preparations for battle he ponders what it might be like to have only one death to die.

That provides a taste of this smorgasbord of fascinating ideas. Hugh Howey primarily writes novels; I'm glad I was introduced first to his short fiction.

Tuesday, December 23, 2025

Just beyond the edge of the usual

 kw: book reviews, science fiction, short stories, ekumen series, space travel, anthologies, collections

I read some of the stories collected in The Birthday of the World and Other Stories, by Ursula K. Le Guin, when they were first published in the middle 1990's. It was a rare pleasure to re-read them, and to get to know their companion pieces, with the perspective offered by thirty years of personal experience and the dramatic social and political changes that have occurred in that time. These stories represent Ms Le Guin twenty years into her prolific career. This collection was published in 2003.

Seven of the stories (maybe only six, by her assessment in the Preface) take place in her speculative universe, the Ekumen, in which all "alien" races are descended from the Hainish on the planet Hain, from which numerous planetary societies have been founded. Sufficient time has passed that quite different, even extreme, societal and physiological variations have arisen. This affords the author a way to explore societal evolution among beings that are at least quasi-human. It removes the difficulty of dealing with totally alien species.

The story I remember best is the opening piece, "Coming of Age in Karhide." Although the Ekumen is mentioned and a few Hainish dwell on the planet, the story focuses on the experiences of a young person approaching "first kemmer", a span of a few days or weeks in which the sexless body transforms into either a male or female body, the newly-sexed man or woman has promiscuous sex in the kemmerhouse, and may become a parent; it can take a few kemmers (which I translate internally as "coming into heat" the way cats, dogs and most animals do) for a female to become pregnant the first time. During each kemmer, a man may remain a man or change to a woman, and vice versa.

The author passed away in 2018, just as "trans ideology" was garnering political power, primarily in "blue" states. I wonder what she thought of it. Thankfully, the ideology is fracturing and I hope it will soon be consigned to the dustbin of history. At present, roughly a quarter of American adults appear to genuinely believe that complete transition is possible. It isn't, "sex reassignment" is cosmetic only. It is only for the rich, of course; transition hormones cost thousands, and the full suite of surgeries costs around a million dollars. The amount of genetic engineering needed to produce a quasi-human with sex-changing "kemmer", should any society be foolish enough to attempt it, would cost trillions.

Other stories in Birthday explore other sexual variations, and the societal mores that must accompany them. These are interesting as exploratory projects. They were written shortly after the death of Christine Jorgensen. Ms Jorgensen was the first American man (but not the first worldwide) to undergo complete sexual reassignment surgery, in the early 1950's. Subjects such as the surgical transformation of the penis into the lining of a manufactured vagina, without disrupting blood vessels and nerves, were actually published in formerly staid newspapers! 

To my mind, in America at least, Ms Jorgensen is the only "transitioner" to whom I accord female pronouns. She transitioned as completely as medical science of the time allowed (and very little progress has been made since). She became an actress and an activist for transsexual rights (she later preferred the term "transgender". I think she learned a thing or two). She even planned to marry a man, but was legally blocked. She intended to enjoy sex as a woman would. Maybe she did.

The last piece in the volume, "Paradises Lost", takes place on a generation spaceship. Population 4,000, strictly regulated to match the supplies sent on a journey that was intended to require more than 200 years. The religious politics that threaten to derail the enterprise don't interest me much. Of much more interest: the mindset of residents in the fifth generation after launch, after all the "Zeroes" and "Ones" have passed away, expecting the sixth generation to be the one to set foot on the new planet; and the way the "Fives" react to their experiences on that planet after an early arrival (sorry for the spoiler).

We are only in part a product of our ancestors' genetics. Much more, we are a product of the environment in which we grew up—which is only in part a product of our ancestors—, in which we had those formative experiences that hone our personalities. While all the stories in this volume explore these issues, "Paradises Lost" does so most keenly.

The work of Ursula K. Le Guin stands as a monument to speculative thinking in areas that few authors of her early years could carry off.

Saturday, May 03, 2025

The rest of Pushcart gets better

 kw: book reviews, story reviews, short stories, poems, collections

I wrote in the prior post about the volume 2025 Pushcart Prize XLIX: Best of the Small Presses, edited by Bill Henderson and others, that a large proportion of the stories in the first third of the volume are for very niche audiences. Happily, audience awareness broadened after that. I rejected only four of the pieces making up pages 175-442. I am a bit surprised that I marked a "+" on ten prose pieces and four poems! Let's be clear, the only thing "poetic" about the poems is the evocative atmosphere. They were on subjects that mean something to me. I'll mention one:

"Memory" by Kevin Prufer summoned memories of my own mother as she descended into the fog of Alzheimer's Dementia, and also very early memories of leading by grandfather by the hand on walks, to make sure he found his way back home. The last line is about another poem for the author's mother that he didn't complete, "…because it was too sad and none of it / was helpful to anyone." Well, Kevin, the piece you did write was helpful to me.

When you know your offering is in a niche, there are ways to expand its reach. I'll mention two examples:

"The Crows of Karachi" by Rafia Zakaria presents a slice of life in the poor district of Karachi, Pakistan (truthfully, most of the city so qualifies). The crows are emblems of the vagaries of life, and the climax of the piece contrasts two women, one (the author's mother) who fed small birds while being vigilant to keep the crows from driving them away, and the other woman feeding birds indiscriminately, which fed only the crows.

"Blackbirds" by Lindsey Drager, the last piece in the volume, is a sad tale of post-partum depression, a rather extreme case thereof, seen through the eyes of an eight-year-old daughter.

Verdict: I found the volume worth reading, even if I had to "engineer" my reading pace to minimize the junk.

By the way, the last 98 pages of the 540-page volume comprise various lists and indexes, but the "Contributors' Notes" take up just 3½ pages, barely a line or two per author. Not really enough in my view.

Monday, April 21, 2025

SF (mostly) the way I like it

 kw: book reviews, science fiction, space fiction, space opera, short stories, anthologies

A few days ago I reviewed (here) a volume of science fiction and fantasy short stories. I didn't care for most of them, and rejected even reading nearly half of them, based on the opening sentence or two. And this for one of those "Best of" volumes! Fortunately, I had a volume of more satisfying stories to follow: New Adventures in Space Opera, edited by Jonathan Strahan, with fourteen stories and only one that I skipped. This image, produced via Dall-E3, doesn't match the theme of any of the stories; I just happen to like it.

A word about where fantasy fits in. Whether it is about space or not, fantasy tales tend to eschew the rules of physics, any physics. In a fantastical story, physics only works when the author wants it to, so the characters are usually subject to gravity, for example, but a select few—or sometimes all of them—can zip about, seemingly gravity-free, as needed. In science fiction, including space fiction and space opera, the primary physical law to be broken, in a myriad of ways, is the speed of light. There is typically some explanation for how this speed limit is broken or sidestepped, so that the world of the story has consistent physics. In fantasy, physics need not be consistent.

Space Opera, in particular, relies on some kind of FTL (faster-than-light) mechanism, because the stage of a typical story spans at least a few dozen light-years. The last story in this volume, "The Last Voyage of Skidbladnir" by Karin Tidbeck, is one of my favorites, and relies on a kind of enormous spacefaring crab that ducks below spacetime—one of many versions of "subspace" or "hyperspace"—and then emerges to land on this or that planet, using some slower means of propulsion. This space crab is analogous to a hermit crab, except that the host "shell" that needs to be replaced from time to time is typically a large apartment building. This is a unique idea, one of the best I've encountered in decades.

The first story, "Zen and the Art of Spaceship Maintenance" by Tobias S. Buckell, is my other main favorite. The protagonist is a robot, really a type of android, a human mind in a powerful mechanism. Such servitude is temporary (but can last centuries), and the android is constrained to human-favoring laws similar to Asimov's "Three Laws of Robotics" (look 'em up). Android as he is (my surmise as to gender), he manages to outwit an evil human. All it takes is a nearby black hole and some fine-tuned astrogation.

I had a bit of fun with the premise of "A Temporary Embarrassment in Spacetime" by Charlie Jane Anders. See, there's this really enormous space creature named Vastness, described as "half the size of a regular solar system". It is apparently telepathic, and holds millions (trillions?) in thrall to satisfy its rather gargantuan needs. I thought, "OK, could it really be half the size of a solar system? Can it avoid becoming a black hole?" A few simple calculations showed, not really:

  • The radius of Neptune's orbit, one possible measure of the size of our solar system (and the smallest possible such measure) is about 30 AU, or 4.5 billion km. Got a better choice for a "regular" solar system? Anyway, the term ought to be "stellar system".
  • For simplicity, let's go just below half of that, and posit that the radius of Vastness is 2 billion km.
  • The volume of Vastness is then 33.5 billion billion billion cubic km, or 3.35E28 km cubed. (The E stands for "ten-to-the")
  • In cubic meters, that comes to another factor of a billion, or 3.35E37 cubic m.
  • Flesh is just a little denser than water, so we'll use water for a stand-in. A cubic meter of water weighs 1,000 kg.
  • The mass of Vastness is thus 3.35E40 kg.
  • The Sun's mass is just under 2E30 kg. Vastness weighs almost 17 billion times as much as the Sun.
  • At this website we find that the Schwarzschild Radius (event horizon radius) of a 17-billion-solar-mass black hole is just over 50 billion km. That's about 25 times the radius of Vastness and about 11 times the radius of Neptune's orbit.

QED Vastness is a black hole with a Schwarzschild Radius about 11 times the radius of Neptune's orbit.

Furthermore, here, near the end of the page, we see that a black hole of 4.3 billion solar masses would have a density of 1 g/cc, or 1,000 kg/cubic meter. The mean density of a black hole is inversely proportional to its mass, so heavier black holes are less dense. Vastness is too heavy to be "only" half the size of a "regular" solar system.

Onward! Another interesting idea is found in "Immersion" by Aliette de Bodard. Posit a whole-body Oculus Rift or similar system, that also projects an avatar of your choice around you to at least partly mask your appearance. Will such a system mediate your experience of the world to the point that you cannot function without it? Consider how many of your friends would find themselves utterly inept at everything without their phone. Or how about you? Could you function for a whole day without it?

Space opera is my favorite SF genre, because it removes enough limits on the author's imagination, while still requiring a modicum of realism, that the ideas can range farther and probe deeper than in any other genre.

Wednesday, April 16, 2025

A mixed bag of an SF anthology

 kw: book reviews, science fiction, fantasy, science fantasy, collections, short stories, anthologies

The volume is The Best American Science Fiction and Fantasy 2024, edited by Hugh Howey. 20 stories. I skipped 8, 4 were at best so-so, leaving 8 that I enjoyed reading. Two of these I gave a ++ in my personal rating scheme, and I'll dwell on them briefly. But I must say, with only this volume to go on, I weep for the state of science fiction and speculative fiction in the US right now. Fortunately, there are other collections, and I'll review another in coming days. Note: this image doesn't pertain to any of the stories. It is a side product of another project, and it has a science-fiction-fantastic feel that I like.

Now, the two stories that had some good ideas:

"The Long Game" by Ann Leckie. Told from the point of view of semi-terrestrial creatures similar to octopuses, on a planet coveted by humans for its resources. These creatures live 2-3 years and die after reproducing, as earthly octopuses do, but they are intelligent, sapient, and a human liaison is caring for their case while fending off mining interests. That latter point is only lightly touched upon, because the crux of the story is the developing awareness of Narr, a natural-born leader among his people. Narr's people are hermaphroditic; all bear eggs and all emit milt. This makes it hard to assign an appropriate pronoun; the author uses "they". Narr is one of the first to develop an awareness of the value of projects that reach beyond one person's lifetime. This reflects the "slow revolution" of human cultural development, which has its most visible expression in the building of complex cities, as distinct from villages with minimal infrastructure. Narr's people build a pond, a significant step in their own cultural development. Narr also takes steps to find out how life can be extended.

"Form 8774-D" by Alex Irvine. In an era of superheroes and those with the whole gamut of "powers" popping up everywhere, an agency has been established to register them, and various "hero leagues" recruit some of them. The story is a few days in the life of a functionary whose only responsibility is to check application forms, which are quite detailed (and in themselves form a significant part of the story). It slowly dawns on her that she just might need her own superhero bodyguard. Saying more would be telling…

Both these stories were great fun, and the other six that I liked were enjoyable, if not quite so ideational.

Monday, December 30, 2024

Eight good tales in a row

 kw: story reviews, science fiction, collections, anthologies, short stories

In the busyness of the end of the year, I still caught the odd moment to read, and finished the last eight stories in The Best Science Fiction of the Year, Volume 8, edited by Neil Clarke. All are worth reading. This image doesn't relate to any story particularly, but is Dall-E3's take on the prompt, "The ultimate space fiction image."

As I read I noted a core idea from each story, or a thought that it prompted. I'll list these core ideas, and make an added comment on just a few of them.

  • "Down and Out in Exile Park" by Tade Thompson – "Plastic island and pheromones" – The best of the 8. One of the great oceanic plastic garbage patches has been anchored off Nigeria. A thriving society of "fringe folk" has developed there. A very elderly woman who has the strange characteristic of emitting pheromones that make someone nearby feel euphoric and empathic may be the "glue" that holds it all together. When she dies, then what? (This one doesn't have the sad ending one might expect)
  • "Two Spacesuits" by Leonard Richardson – "A cool take on indwelling aliens"
  • "Nonstandard Candles" by Yoon Ha Lee – "Map as a creative tool" – These cartographers map an empty volume of intergalactic space, then begin adding structure to it, with interesting results.
  • "Inheritance" by Hannah Yang – "Inheriting memories"
  • "A Hole in the Light" by Annalee Newitz – "Semi-amoeboid creatures that smell chemistry"
  • "Letters to my Mother" by Chnelo Onwualu – "Post-apocalyptic; how telepaths deal with grief" – I used the word "telepath", but what do you call the clairvoyant talent for reading emotions of a writer by touching handwriting?
  • "In the Dream" by Meg Elison – "Unexpected consequence of chem-induced sleeplessness"
  • "Aconie's Bees" by Jessica Reisman – "Transition"

Perhaps a story or two is High Concept, and the core idea is pretty much all there is. But these writers are creative and sophisticated. They take us places we didn't dream existed.

Monday, December 23, 2024

4 out of 5 ain't bad: the multiverse and all that

 kw: story reviews, science fiction, anthologies, collections, short stories

In the past couple of days I read four more stories in The Best Science Fiction of the Year, Volume 8, edited by Neil Clarke, and skipped one.

Going first to the fourth one I read, "Solidity" by Greg Egan, it seems to explore consequences of the Multiverse, should the parallel universes begin to overlap or even trade characters.

Imagine waking up in your room, but it isn't really your room. The poster on the wall is different, the sheet and coverlet have changed, and familiar furniture has a different style. The clothes in the closet fit you, but you remember none of them, and you wonder where your familiar togs are. The phone on the bedside table looks the same but your password doesn't work. Somehow, the key in your pocket still opens the door to your place.

It is a story of the almost-familiar but frequently changing accoutrements of—and persons in—the protagonist's life. People find that as long as they keep someone in sight, that person doesn't get "changed out" for a similar one. It is a deeply unsettling story, and ultimately a touching one, of people learning how to cope with such changes. It ends in hope with no resolution.

I have written elsewhere about how ridiculous I find the notion by some physicists that new entire universes are created by every quantum choice; ultimately, it boils down to an entire new universe, billions of light-years across, created in full (with that solitary quantum difference) every time literally anything happens to any of the trillions of trillions of trillions of trillions of electrons, protons, etc., etc. in the universe, a gajillion times per second. And they say that believers in God are crazy somehow…

Let's hope, if the notion is in any way true, that all those extra universes flitting about don't affect one another.

The first two stories ultimately explore different versions of machine recording of human personalities. In "Things to Do in Deimos When You're Dead" by Alistair Reynolds, a man finds himself in an unfamiliar place, and eventually finds that "he" is a recording that was made when he died, a recording that was supposed to be disassembled for salable skills in the AI world, but somehow escaped that fate intact and is running "in the background" on a supercomputer on Mars's moon Deimos. He is found by a couple of other stray personalities, and learns of something useful he can do. It is ultimately a sad story.

I tried to get different image generators to produce something useful from prompts such as "Accidental ensiliconment". This one made by Dall-E3 is quite off the point of the story, but is rather cute.

The second story is "A Dream of Electric Mothers" by Wole Talabi. A system of recorded personalities of the wise female ancestors can be consulted by a tribe's ruling assembly. We are left wondering if such "tribal memory" efforts have more use than more ordinary ways of consulting history, that is, books.

A different kind of recording with a more focused aim is found in "By Those Hands" by Cong Yun 'Mu Ming' Gu. Much of the story is a long tale of skills, having been painfully acquired, going out of use. Think of skilled craftsmen that once made buggy whips, now that there are no buggies outside of Amish country. But the story takes a positive turn when a scientist seeks to record the diligence of such skills and apply them in other areas, such as microsurgery.

This led me to think of how much of our brain power is in our embodiment. Some 75%-80% of the total number of neurons in our brain are found in the smaller "little brain" tucked down and behind, the cerebellum. Although I have a talent for playing guitar and similar instruments (but not violin!), I spent years developing the talent into a cluster of musical skills. The human brain is larger than that of other animals our size. More resources can be devoted to specific skills, compared to our animal cousins.

For example, a chimpanzee will throw dung at you if you anger it (and are outside a cage so you can't be physically attacked). Occasional news accounts may mention the "accuracy" of the animal's throwing. However, the distance is only 10-20 feet. Put the chimp on a pitcher's mound, and the target of its ire 66 feet away at home plate, and there's no way the critter can come close to the strike zone…or you. Almost any pitcher or fielder aged ten or more can bean you with a baseball at that distance. Bigger brain equals more neurons devoted to accurate throwing.

A fifth story was started, and then skipped. Its genre is "mean streets" and I declined.

There are just eight stories remaining. More later!

Monday, December 16, 2024

Post-Apocalypticism prevails

 kw: story reviews, science fiction, collections, anthologies, short stories

In three days I've read seven more stories in The Best Science Fiction of the Year, Volume 8, edited by Neil Clarke. I'll point out the interesting ideas and comment just a bit extra on the stories I liked the best. Among the seven, four are explicitly post-apocalyptic and two are post-modern dystopian.

The most openly post-apocalyptic is "If We Make it Through This Alive" by A.T. Greenblatt. Three women have entered a cross-continent rally contest, from the abandoned King of Prussia Mall near Philadelphia to an unnamed location in Sacramento, 2,800 road miles away. With a dramatically modified, electrified, ruggedized Jeep they expect to make the journey in 10-11 days. I couldn't get ImageFX to add the solar panels and other accoutrements to the Jeep for this image, but the mood is about right.

For reference, on present-day Interstate highways, the driving time estimate is 40 hours. The fact that average speeds are expected to be in the 25-30 mph range indicates that the author posits a not-totally-annihilated road system. The three each have their own hidden traumas to re-overcome, and each her reasons for being in Philadelphia in the first place, when city living has become much more fraught than rural life.

A story that seems post-apocalyptic, but maybe that's because the middle of a forest fire is apocalyptic enough for most of us, is "All The Burns Unseen" by Premee Mohamed. Fire may cleanse a landscape, but the protagonist, on a mission to find and possibly rescue her parents, finds that it reveals her fractured family relationships, healing nothing.

Producing a colony in the atmosphere of Venus was supposed to yield a utopia. In "We Built This City" by Marie Vibbert, the daughter of "the woman who built the city" has a much more lowly job, but one that provides her with a few perquisites in the dystopia that the city has become. Like many post-apocalyptic and dystopian stories, the cynicism of "the elite" and despair of almost everyone else sits right on the surface. Although the protagonist's heroism earns her mother's respect and "saves the day", the story ends without resolution. Presumably the cynics who run things will make at most token concessions.

In "Mender of Sparrows" by Ray Naylor it gradually becomes clear that the protagonist is a sort of Android. That is, his continued existence is because in an emergency his personality was ported into the body of an Android, whereas "ordinary" Androids have a scripted or manufactured persona. A key concept is the Connectome, the totality of connections between the nervous system and the body, whether human or mechanical. A secondary concept is that humans can detect an Android instantly; one presumes that the "uncanny valley" has not been fully crossed. Both these matters emphasize the point that true artificial intelligence requires embodiment, while demonstrating that such embodiment is no easy conundrum to crack.

Other ideas of interest:

  • Being in a simulation already, and experiencing meta-simulations ("Forty-Eight Minutes at the Trainview Café" by M. Bennardo; otherwise rather boring).
  • Reification of an old photo (and presumably a lot of other stuff, hardly mentioned) into a simulation of a deceased person or pet ("The Historiography of Loss" by Julianna Baggott; puzzling and moderately sad without inculcating care for the protagonist or anyone else).
  • Those left behind on Earth when all the rich escaped into orbiting habitats, such as "Erewhon", the home of the rich losers the story centers on, have been modified to digest plastic, because there is so much of it left ("The Plastic People" by Tobias S. Buckell; point made, the story goes nowhere and the people learn nothing).

So far, the book is holding up well. The least interesting of the stories I have read so far is better than the best to be found in the volume of mainstream short stories I panned a month ago.

Wednesday, November 06, 2024

SF is as SF does

 kw: book reviews, science fiction, speculative fiction, fantasy, short stories, collections

I use the term "SF" in the title rather than "SciFi" because Lake of Souls: The Collected Short Fiction by Ann Leckie includes three categories: science fiction, speculative fiction, and fantasy.

The opening novelette and title story, "Lake of Souls" sits on the boundary between science fiction and fantasy, as does Ms Leckie. The story is a bildungsroman, a coming-of-age story, of a crablike creature without a name, who embarks on a quest to find the fabled Lake of Souls, where it may obtain a soul and a name. Until obtaining soul and name, these creatures are called by the generic term Spawn.  This Spawn's quest differs from the usual process, where marks that appear on a being's head upon one's final molt can be read as a name. I don't use "he" or "she" for Spawn because the author studiously avoids genderizing it. The science fiction element enters with a human on the planet, the last survivor of a mass murder on his survey ship. He is on a quest of his own, to find the murderer and the communication device he brought to the planet with him. He and his shipmates had been calling Spawn's fellows "lobster dogs", and having met Spawn, he realizes that these beings are sentient, which he must communicate with "home base", and with others because of the political implications of his discovery. I'll leave it at that; I am perilously close to spoiling too much. I should mention in passing that the author is very skilled at imagining and portraying sundry sorts of non-Earthly beings.

Consider a feudal society, right here on Earth. The lords and ladies lived in splendor in their castles and manor houses, cared for by servants and surrounded by serfs who lived in penury and often misery. Aristocrats lived much longer than serfs, and soldiers typically had notoriously short lives because of the aristocratic hobby of warfare. Move that scenario to a planet on which the aristocrats are called the Justified, and live unlimited lives, though they can die, but never of "natural causes". Everyone else, the short-lived, serve the Justified. I should also mention that they are lionlike, and the Justified become many times stronger than the short-lived. This scenario plays out in "The Justified". An episode in mid-story indicates that short-lived can be promoted to Justified. This has implications for a future situation, back here on Earth again, if aging is defeated but that indefinite life extension is too costly for most to afford. In this and in nearly all of Ms Leckie's stories females are dominant.

These stories are from the first third of the book, where we find all the stories one could term "science fiction". The other two sections are taken from the author's world-building series, termed Imperial Reach and The Raven Tower. Both are based on pantheism: people interact with gods of many "sizes", some that are like feudal lords over a domain, and others that have more narrow realms of influence. Like the Justified discussed above, these gods aren't necessarily eternal, but how a god is done away with isn't made clear. They gain strength from being prayed to and sacrificed to, and the most common sacrifice is an ounce or so of one's own blood, spilled on a makeshift altar.

From all of this I conclude that the author is fascinated (obsessed?) with feudalism, with highly structured societies, and with extreme feminism. Also that she would like to be a god. Then again, who wouldn't?

Monday, December 25, 2023

A big SciFi compendium

 kw: book reviews, science fiction, anthologies, short stories

Androids and AI's and Bots, Oh My! It isn't hard to figure what is on people's minds: just look at what is popular in science fiction.

I see that it has been two weeks since I posted. The current volume contains 31 stories, many of which reward close reading: The Best Science Fiction of the Year, Volume 7 (2022-2023), edited by Neil Clarke. It has been an enjoyable fortnight.

Unlike any other volume of SciFi stories in recent years, this time there were no stories that I actively disliked. I awarded at least one "+" to all but three, and to those I gave a "~", for "ordinary, but not bad." The majority received "++", meaning, "I'm glad I read it", and three of them I marked "+++", for "good and full of great ideas".

Had I had time for more than reading these past two weeks I'd have reviewed a few stories at a time, daily. As it is, what I have time for is to touch on the three "+++" stories, and leave you with this chart of my notes:

As I finished each story I wrote a one-line impression on a copy of the table of contents. Now, on to the stories I liked best:

  • "Aptitude" by Cooper Shrivastava – My one-liner is, "Interviewing to be a god—Parable of Gödel's Incompleteness". The woman being tested is one of the last humans, the last denizens of our universe, among a "room" full of singular persons—they appear mostly human to her—who are presumably from other universes. The interview candidates are each tasked to build a model universe, on a much-too-short timeline. Without giving away too much, let us just say that she and another interviewee collaborate to sidestep the process, using recursion to break the system.
  • "Jaunt" by Ken Liu – Here I have, "Telepresence robots!! Reaction – Counterreaction". Imagine a very capable, roughly hobbit-sized, robot on a farm in Myanmar through which you can experience much of what it is like to work on that farm. Further, imagine hosting such a robot as it shadows you and your work or leisure activity, conversing with you as though the person "riding" the robot were actually with you. Of course, governments will want to either get involved or control such activities. Imagine the dollars lost by traditional tourism companies! Naturally, an encrypted system is developed to get around the totalitarian restrictions. It resembles TOR, the first incarnation of a hidden Internet.
  • "Bots of the Lost Ark" by Suzanne Palmer – I wrote, "AI vs AI – Artificial Initiative almost as good as the real thing". Like in many of the stories, here Bots are small, ranging down to barely visible, and exist in huge numbers. They can conglomerate to perform more complex functions, even carrying out a human's duties; the word "glom" is coopted for such groupings. But these bots and gloms get a mind of their own, and the superintelligent Ship needs all the help it can get from a small number of more loyal bots to regain control of mutinous gloms.

I note that a recurring theme is subversive activity. It runs throughout this anthology; not in all the stories, but a majority. It makes sense from a societal perspective: those who still trust Government are seen as threatening to a majority who have lost that trust. The feeling is mutual. So, modern "saviors" and "heroes" are those who get the better of the powerful persons and organizations that are seen as dominating our lives, or attempting to do so (Does anybody want to know why Mark Zuckerberg is building a house the size of a football field in the middle of a 4,000-acre self-sufficient farm in Hawaii?).

Get this book, read the stories, write your own one-line summaries. You'll be the better for it.

Wednesday, April 19, 2023

A slight improvement

 kw: book reviews, short stories, mainstream fiction

In spite of repeated disappointment I still, on occasion, will read a "best of" volume of short stories that are not (primarily) science fiction. The most recent is The Best All-American Short Stories, edited by Andrew Sean Greer. It represents a series I have not encountered before, so I can't be sure what I see in it is characteristic of any trend in mainstream fiction as a whole. I am optimistic that the small uptick in the quality of ideas in this volume is a positive sign.

Firstly, in a volume of 20 stories, while there were only two stories I marked with ++, and five others I gave just +, there were "only" five I marked "gn", meaning "goes nowhere", and only two that I stopped reading almost immediately because they were going into territory I don't wish to visit. One story had a Voodoo basis, and while I finished reading it, I don't think I should have. Eight stories that I did finish reading, I didn't like or felt were at best so-so. I recent years, there are a number of volumes I haven't reviewed at all because, after four or five "unfinishable" stories in a row, I discarded them; and there were a few that consisted of more than 50% "gn" stories (skillful writing that is worthless, in other words).

I will comment on what I actually liked.

  • "The Beyoǧlu Municipality Waste Management Orchestra" by Kenan Orhan: The genre is magical reality in a totalitarian setting in an exaggerated Istanbul. I generally don't care for fantasy, but this is very well done, and portrays a stark view of people trying to be themselves in spite of pervasive oppression. The "detention facility", rapidly growing to engulf the city, in which, finally, the guards are incarcerating one another, is a fitting symbol of the goal of the totalitarian impulse.
  • "The Sins of Others" by Héctor Tobar takes the trend of shifting blame to an extreme. The protagonist is a "designated replacement" for an entitled person who has committed a crime, and serves time in his place. Need I mention that the "replacement" is a minority? This and the prior story got my ++. The next 5 were +.
  • "A Ravishing Sun" by Leslie Blanco: The outward story is recovering from trauma. The story being told is what happens inside. Ordinarily I disdain stream of consciousness. Here, it is the right tool for the job, handled very well.
  • "Detective Dog" by Gish Jen: In the face of CCP's pervasive surveillance a woman manages to tell family truths to a teen. It's hard to say more than that without giving too much away.
  • "The Meeting" by Alix Ohlin: Company acquisition/merger. The story dwells on the tension between the dramatically different styles of the founder and the purchaser. It ends in disaster, but not what you might expect.
  • "The Ghost Birds" by Karen Russell is set soon after the extinction of the last birds. Some people can see bird ghosts (second sight isn't mentioned) carrying out their seasonal migrations.
  • "Mr. Ashok's Monument" by Sanjena Sathian: Mr. Ashok doesn't obtain a monument, but becomes one. More magical reality, with a message in metaphor.

Seven out of 20 isn't too bad a record for a modern collection of mainstream fiction.


Wednesday, March 01, 2023

Some stories actually go somewhere

 kw: story reviews, collections, short stories, poems, sketches

The latter 3/5 of 2023 Pushcart Prize XLVII: Best of the Small Presses, edited by Bill Henderson and a ton of others, did only a little to improve my opinion of the volume. I didn't read past the first page of about a third of the 38 remaining pieces. Of those I read, there were only a few more pointless stream-of-consciousness pieces, a smattering of tolerable items, and then there was actually a poem that I liked, in spite of its being "free verse" (which means "not verse"), and three more items that made me react, "I'm glad I read that".

The first of these is "If Your Dreams Don't Scare You" by Joni Tevis, published in the Georgia Review. The theme is hazing in the context of a marching band. I was in a high school marching band for 3 years, and I'm glad there wasn't a hazing tradition at my school. The skills we had to learn, and the sarcastic comments from one of the band directors, were bad enough. About a third of the story reviews hazing mishaps around the country that made national news (or should have)…like deaths.

The second is "Half Spent" by Alice McDermott, from Sewanee Review. The story gradually reveals hidden depths in a widow who'd been thought a "silly goose" (my term, not the author's). Her passing showed she had a much greater connection to her community than her late, somewhat-lamented husband.

The third, which made me weep, is "Too Attached" by Whitney Lee, from The Threepenny Review. A doctor attends a woman with a dying pre-born baby, which finally miscarries. Later the woman tries again, and delivers safely, attended by the same doctor. The doctor muses over being too attached to this couple, that such attachments might cause her to leave the profession. This is a real risk. During her last year my mother was attended by a lovely nurse; she became so attached that, as Mom failed, the nurse had a nervous breakdown and had to turn over the caring duties to another nurse. But she managed to be there when Mom died.

The poem I liked is "Screensaver" by Robert Cording, from The Common. An elegy to a youngster who died, it proves that stream-of-consciousness has a proper use. Very touching.


That's a poor harvest of goodness from 66 pieces. The volume as a whole gets this from me:

Wednesday, February 22, 2023

Is literature becoming irrelevant?

 kw: book reviews, collections, short stories, poems, sketches

I am a little less than halfway through reading Pushcart Prize XLVII: Best of the Small Presses (2023), edited by Bill Henderson and others.

The series used a few logos in early years, and then settled on this one, presented in various background hues ranging from yellow through earth tones to red.

When I encountered the 2014 edition I liked it rather well and posted a positive review. I was still positive a couple of years later. This time, not so much (so far). Of the 28 pieces I have read (or passed over) so far, only one made me react, "I'm glad I read this": "Dear Friends" by Mary Rueful, originally published in Sewanee Review. I call it an annotated list of friends, a series of vignettes that explore numerous dimensions of friendship.

I almost rejected the entire volume based on the first half-dozen lines of text in the first piece, which I decline to name. Sadly, I read too fast to have stopped earlier, because it almost immediately takes the reader into a realm no person of conscience willingly visits, with an image that is hard to forget. It is a sad fact of the human condition that a vicious, corrupted mind such as the author's can even exist.

A goodly number of the pieces are "poems". So far, what I have seen (and skimmed through) have neither rhyme nor rhythm. They consist of slightly evocative prose broken into lines. If the language were more poetic I might call such a piece a poem, but they are junk.

Many of the pieces are aimless stream-of-consciousness bits of one or a few pages, that start and end nowhere, with nothing learned along the way.

One imaginative piece, "Mantis" by Gina Chung, tells of love almost found and then lost, in the character were a praying mantis, who is accustomed to devouring suitors during copulation. The "one that got away" is her only regret. It's a useful allegory of a certain kind of relationship…

A number of pieces portray gay men or women, closeted or out. "The Kiss" by Kate Osana Simonian treats of a relationship between two lesbians who attend a religious school; one is fully out, the other so closeted that her orientation is unknown, even to her best friend. A drama production enwraps their drama. The writing is overdone, with attempts to build tension in a Hitchcockian way that is more annoying than useful.

"Back" by Banzelman Guret is moderately dystopian science fiction, exploring an extreme development of gig work while the protagonist is dealing with his father's OCD and institutionalization.

These few out of 28? If these are "the best", literature is coming on hard times. Maybe in the next few days I'll find another story or two that make me glad I found them.

Monday, April 11, 2022

Science Fiction is Growing Up

 kw: book reviews, science fiction, anthologies, short stories


This image doesn't illustrate any of the stories in The Best Science Fiction of the Year: Volume 6, edited by Neil Clarke. I stumbled across the picture and it appealed to me. It isn't lost on me that everyone except the girl is in an environmental suit. Is it for the sake of the cheesecake? Or just a broad hint that this is on Earth, in some future time? I surmise the latter.

Of the 32 stories in The Best, for most, whether they take place on Earth isn't relevant. The ones I liked best presented new takes on writing from the viewpoint of The Other. "Exile's End", by Carolyn Ives Gilman, portrays two viewpoints equally deftly, that of an Ordinary Human (or a descendant thereof) and a descendant of humans who took to the stars so long ago that they are quasi-alien, and have a culture almost beyond the grasp of OH's. Crossing that divide is the crux of the story. "Tunnels" by Eleanor Arnason presents sympathetic aliens, including one who partners with the human protagonist because, as it tells her, "You saw me. You asked my name."

"Sinew and Steel and What They Told" by Carrie Vaughn presents a human so seriously modified (but all inside) it's hard to think he's still human. At the core, he is human, which makes all the difference in the end.

I am a musician who appreciates fine instruments. The luthier in "An Important Failure" by Rebecca Campbell spends a lifetime gathering the right tone woods and structural woods to make a violin, the first in centuries to compare on an equal basis with the famous violins of the 17th Century such as Amati and Stradivarius. In the author's view the secret to the fine sound of violins of this era is the climate, which was unusually cold for a century or two, producing trees with exceptionally fine grain. Even with the finest woods, it takes a violin about a century of frequent play to achieve its greatness. The milieu of the story is a warmer world that just doesn't grow fine-grained wood any more.

"Red_Bati" by Dilman Dila is the story of a robot dog with the body type of a red basenji. This dog has sufficient AI to create a "ghost" of a beloved human, as a companion, and to take over a spaceship (sorry for the spoiler). The author is one of several Desi (Indian subcontinent) authors in this volume. I found their stories particularly evocative.

Perhaps a quarter of the stories have a warmer Earth in their background. While I don't agree that "global warming" will proceed as far as the dire predictions of the IPCC, nor that its effects will be all bad, this is one area of speculation that richly rewards the investigation and mental experimentation that makes science fiction so great. "Textbooks in the Attic" by S.B. Divya sets the rich, in high-ground walled enclaves, against all others, in their flooded world, struggling to reinvent antibiotics while books that didn't get moved to attics fast enough rot away.

Science fiction before about 1965 was mostly of the "gee whiz" variety, though many great writers such as Arthur C. Clarke and Lester Del Rey wrote with much more sophistication. But many of my early favorites were the Lensman series and stories such as Venus Equilateral by George O. Smith, stories more about technology, with characters that were rather two-dimensional.

Later, as the "sexual revolution" got under way, triggered by court rulings that "porn is in the eye of the beholder", authors of all stripes, but particularly science fiction authors, went hog-wild. Most science fiction for the next generation seemed to be extended wet dreams, mainly by male authors airing their most erotic fantasies. I didn't read hardly any science fiction for many years, except to "check in" from time to time to see if it was wearing off. By about 2000 much had worn off, and writers were again exploring themes of greater breadth and wider interest. When I started this blog in 2005, I was again reading science fiction regularly, but only as about 10% of my "intake"; most of my reading for many years has been nonfiction, and most of that on scientific subjects. If you peruse this blog, you'll note quite a variety of subjects.

I am glad to note that I skipped only two stories in The Best, and that because of egregious violence, not overdone eroticism. I can again say, after reading most of the stories in this volume, "I am glad I read that."