kw: book reviews, science fiction, space fiction, warfare, politics, religion
In the course of time I have exhausted the local library's stock of recent books with a science theme. Furthermore, in the past year, the number of new acquisitions for the 500 Dewey Decimal section has dwindled from five or more per month to one at most. Thus, to keep up my reading pace of about a book per week, I have taken up a few stratagems:
- Purchase e-books online.
- Choose carefully among the rest of the Dewey Decimal System.
- Choose even more carefully in the fiction collection. While I prefer collections of short stories, an occasional science fiction novel will attract my attention. I may read a mystery on occasion, otherwise I eschew mainstream fiction and also fantasy.
On this occasion I found Radiant Star by Ann Leckie. The blurb on the cover flap seemed hopeful, and it didn't seem to indicate any "sword and sorcery", which so often creeps in to "fantasize" books touted as science fiction.
I was almost put off by reading the second paragraph:
"Like other families in the Chath Precinct of Ooioiaa, all the children [of the Consorority of the Translocation] are boys, whatever their personal inclinations. Unlike other families, on reaching adulthood those boys are sorted by the family's matriarch into those who will become women, and hence consorors, and those who will become men. Though Ooioiaan boys may group up to be any gender one may care to imagine, for the boys of the Consorority of the Translocation there are only those two options available."
However, I forged on. Indeed, the book has several interesting ideas. Two in particular stand out. Firstly, the planet Aaa, in which the single city of Ooioiaa is located deep underneath an ice shell, is a rogue planet, coursing through space without a star. One complication of having surface facilities for spacefaring vessels is that planet-native creatures called snowrollers are able to eat whatever metals are used for those facilities, albeit very slowly. This makes them equivalent to corrosion, I suppose, and continued maintenance is required to stave off disastrous accidents.
Secondly, the city is centered on the Translocation of the Radiant Star, and several competing religions have grown up around its worship. One of these is the Chath and two others are named, but their (unpronounceable) names aren't important here. Rather, the mutual suspicion is as expectable as that seen among Catholics, Protestants, and Pentecostals in modern Western society. So is the grasping for wealth under a mask of piety by the religious leaders. Ms Leckie seems to have produced a satirical reflection of the religious landscape she grew up in (Fortunately, she didn't try to extend the metaphor to deal with the 8,000 or so denominations in America, a few hundred of which are to be found in any city of more than 100,000 inhabitants).
Invasion by a superior force is a great way to introduce dramatic tension. The plethora of intrigues already present in Ooioiaa multiply when the Radchaai arrive. The governor is found to be reasonable and comparatively just, in spite of being alternately bemused and aghast at the religious practices around her. Of course, the Radchaai have a religion of their own, and the governor is guardedly tolerant of the Chath and the other Consororities. Though Radiant Star stands alone, it is placed in the conceptual space of the author's Imperial Radch Trilogy.
After half the book has been spent on setting things up, the big turn arrives when "gates" (similar to Stargate, I suppose) are shut off, and easy communication with other worlds ends. This turns out to be a consequence of civil war in Radch space. Since Ooioiaa exists largely by interworld trade, including many foodstuffs, the result is famine. An infecting organism begins destroying growing crops, particularly one called skel that was imported by the Radchaai. The famine deepens; starvation become the primary cause of death. A struggle ensues over control of access to the Translocation of the Radiant Star. (I was puzzled about how to illustrate this story. I "discussed" it with Gemini, and it brought up several ideas. I elaborated on one, with the result shown here. The two words on the sign are Russian for "riots" and "gunder", which is probably a misspelling of "gender", a loan-word into Russian. It makes sense for Gemini to include it because gender roles and gender confusion run throughout the book, with the author using at least eight sets of pronouns for various unnamed genders.)A story that plays out across this drama is that of Jonr, a Chath boy who was born to be sent to another planet as a slave. This lends a Disneyesque sheen: an abused or neglected child eventually escapes into either prosperity or freedom. It feels like a cross between Oliver Twist and Star Wars.
I don't know if I would recommend this book to any generally conservative audience (more than half the country, if you're counting). But I enjoyed it. The author looks out the fourth wall sometimes to address us, kind of like the "stage manager" in Our Town, but with more irony. These asides allow her to save space by referring to aspects of the Radch universe without too much explainery. 357 pages is already long enough, if barely enough for the several braided themes found therein.
































