A third MEGAPACK

kw: book reviews, science fiction, collections, anthologies, short stories, space opera, space aliens

My original purchase from the MEGAPACK® series included three e-books. I already finished and reviewed two of them. This is the third. Like other early volumes in the series, it is titled The 13th Science Fiction Megapack. Later collections of classics have a theme or author as a focus. This volume contains 26 stories, eleven published in 1963, and the rest scattered from 1930 to 2010. All were new to me.

A goodly proportion of the stories experiment with taking the alien's eye view. Two of these, sitting back-to-back, are "The God-Plllnk" by Jerome Bixby and "A Guest of Ganymede" by C.C. MacApp, both published in 1963. In both stories, the invaders from Earth are either consumed or subsumed. Sobering.

Others take a recent discovery or trend then present and extend it. One of these, "Steak Tartare and the Cats of Gari Babakin Station", by Mary A. Turzillo, published in 2009, riffs on the effects of infection by Toxoplasma gondii, a parasite that afflicts cats and eventually nearly everyone who owns a cat. With just a little studied exaggeration, and imputing to Toxoplasma characteristics of a few other parasites, including the one that turns rats from cat-fearing to cat-seeking, we find an entertaining tale of psychology and motivation. The cats and their "guests" take over Mars.

From time to time writers tackle the possible interactions between archaic humans and Neanderthals, some 30,000 years ago or more. "The Day is Done" by Lester del Rey, published in 1939 is one of the earliest and best. (My second-favorite, "The Ugly Little Boy" by Isaac Asimov, is from 1958). del Rey's very moving story is set as the last of the Neanderthals are vanishing.

One of the stories of 1963, "The Girl in His Mind" by Robert F. Young, is based on a sort of dream "technology" that seems to foreshadow a dreamland called "the Commons" in stories by Matthew Hughes (see this review from 2006). In both 1963 and 2006, the writers take lucid dreaming a few quantum leaps beyond anything actual lucid dreamers (such as myself) experience. Lucid dreaming as we know it permits the dreamer to have some control over the story line and content of a dream. In my case, most frequently, I "stick a toe" into a dream that presents itself, and if I don't like where it may go, I open my eyes briefly and banish it. Once a dream starts up that I am more happy with, I let myself fall the rest of the way to sleep. Often, but not always, I know I am in a dream and I direct it more to my liking. Other times, I have "ordinary" dreams, that just happen with me as more of an observer than a participant. Any of this is a far cry from the long quests described by authors Young and Hughes.

I think I enjoy classic science fiction so much more than most "modern" writing because the authors aren't grinding an axe, at least not in the overt way that is nearly universal today, which is why I read so little modern science fiction. Writers of the world: present your views and your reasoning; do not attempt to impose them or shame your readers – I am shameless anyway, and I'll shame you right back!