The day after my return from California, I reported on the most memorable sight of the trip, the Watts Towers. Just a few days earlier, in the Mojave Desert, I had seen a piece of folk art that is quite a bit more modest.

This little cross, about three feet high, is apparently of found material, but it is the decoration that interests me. There is no name that I can see; it is a memorial understood only by the maker. But he or she was prompted to add a spray of plastic flowers. Perhaps the unadorned cross was just too stark.
These expressions of love and grief interest me as abundant examples of folk art. Though most are erected very quickly, they are often very beautiful. They seem to hark back to the beginnings of funerary art, before we all began to pay professionals to produce granite or marble memorials for grave sites. With this little cross in Lavic, I decided to photograph any that I see, particularly now that many states have begun to remove them. Here I will show just a couple of others, from my local area.

I've seen it there for more than ten years. It is barely possible to make out the date, 12/13/1997.
I used a long lens from a nearby parking lot. It wasn't easy even to get to a parking lot on the median, across a feeder. This is one aspect of these memorials: Putting them up, or getting to the place you want to put them, is often risky. I can think of two I'd like to photograph, but it will require stopping on the wrong side of a feeder or freeway ramp to do so.

Of course, only Christians and the nonreligious who are sympathetic to Christian imagery use crosses. I have yet to see a Jewish or Hindu motif, but I'll snap one if I see it.


I had thought to make a significant effort to collect images of these ephemeral pieces of folk art. They'd make a good subject for a book. As it turns out...

Meantime, I'll continue to photograph these roadside memorials wherever I find them. Note that only the three larger images in this post are mine. The two montages were pasted together from images found on the web, and the book cover is from the TAMU web site linked above.
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