kw: book reviews, science fiction, deification, super powers
In the Mormon doctrine of deification (theosis or exaltation), as commonly understood, some of the really, really good folks become gods in their own right, and are given (or make for themselves) private universes in which to rule. I don't know whether Robert Reed is a Mormon, but deification is the premise of Sister Alice. Though such divinity is achieved by technology—a technology a few million years more advanced than our own—it results in beings that can, and do, destroy stars and galaxies.
Something I have yet to see in an SF novel is a clear indication of the huge energies involved in relativistic travel. Say you are satisfied to poke along at half the speed of light. To accelerate a ton of material to 0.5c requires at least the total annihilation of about a quarter-ton of mass. If you can't do total annihilation, by using antimatter for example, then, considering that hydrogen fusion uses up 4% of the mass, you need the output of a fusion generator burning five tons of hydrogen to helium...as long as you don't carry the generator with you! Want speedier? Going 0.99c requires 7 tons of total annihilation, or the conversion of 140 tons of hydrogen. You can get pretty close to light speed if you can manage to gather the total output of the Sun for a year or two, with perfect efficiency of propulsion.
OK, you endow a bunch of people (a thousand families, in Reed's novel) with technologies that allow them to manipulate power on such a scale. Now what? You get a bunch of demigods, and a handful of genuine gods. What do they do? They realize the universe isn't big enough; any one of them can boil the galaxy away on a whim. Thus far, they've exercized sufficient self control (for the past several million years, anyway) and the galaxy is intact. So, they set about making another universe. They become creators. Some of them, at least, will be able to have a private universe to play around with.
Reed's writing is called "high concept" by some reviewers, and I guess they mean it for praise. As I understand it, high concept means you can summarize the story in a sentence, and the execution relies on dressing it up with sufficient twists of plot to make the result less than obvious. High concept stories usually sacrifice character development for literate agility. Fortunately, Reed is better than that, and the five novellas that string the story together have sufficient scope for his characters to breathe a little.
The novel is galactic in scope, even intergalactic (there is no good adjective for a scope that includes a couple of galaxies of the Local Group). The term I prefer for the genre is Universal Saga, and its best early purveyor was Olaf Stapleton.
I plan to read more of Robert Reed's books (he has ten to date).
No comments:
Post a Comment